How do we know when we hear evil in music? Is it the crashing dissonance, the screeching soprano? Commentator Claire Blaustein studies the musical elements in several scores that have long inspired a sense of horror (via NPR).
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Monday, March 19, 2007
Creating a Soundtrack to Evil
How do we know when we hear evil in music? Is it the crashing dissonance, the screeching soprano? Commentator Claire Blaustein studies the musical elements in several scores that have long inspired a sense of horror (via NPR).
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